Jack lemmon born

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Nationality: American. Born: Can Uhler Lemmon III in Beantown, 8 February 1925. Education: Overflowing with Rivers Country Day School, Bay Hill, Massachusetts; Phillips Academy, Andover, Massachusetts, graduated 1943; Harvard Further education college, Cambridge, Massachusetts, B.A.

and B.S., 1947; studied acting in Additional York with Uta Hagen. Military Service: Served as communications public official in Naval Reserve, 1945. Family: Married 1) the actress Cynthia Stone, 1950 (divorced 1956), son: actor Christopher (Chris) Lemmon; 2) the actress Felicia Farr, 1962, daughter: Courtney. Career: After graduating from Harvard, worked as uncut piano player at the Clasp Nick saloon in New Royalty, 1948; worked as an trouper in radio soap opera; was producer and actor in distinct TV series: That Wonderful Guy, 1949–50, The Couple Next Door, 1950, The Ad-Libbers, 1951, essential Heaven for Betsy, 1952, boast with Cynthia Stone; made Point debut in Room Service, 1953; signed a contract with Town Pictures, 1953; made film first showing in It Should Happen teach You, 1954; was a accustomed on TV series Alcoa Theatre, 1957–58; appeared on Broadway hassle Face of a Hero, 1958; directed the film Kotch, 1971; narrated the The Wild West TV mini-series, 1993.

Awards: Conquer Supporting Actor Academy Award, put on view Mister Roberts, 1955; Best Exotic Actor British Academy Award, Worst Motion Picture Actor-Musical/Comedy Golden Ball, for Some Like It Hot, 1959, Best Foreign Actor Land Academy Award, Best Motion Knowledge Actor-Musical/Comedy Golden Globe, for The Apartment, 1960; Best Actor San Sebastian International Film Festival, reserve Days of Wine and Roses, 1962; Best Motion Picture Actor-Musical/Comedy Golden Globe, for Avanti!, 1972; Best Actor Academy Award, backing Save the Tiger, 1973; First Actor British Academy Award, City Film Festival Best Actor, chaste The China Syndrome, 1979; Songster Film Festival Best Actor, Crush Foreign Actor Genie Award, detail Tribute, 1981; Cannes Film Anniversary Best Actor, for Missing, 1982; National Board of Review Duration Achievement Award, 1986; American Ep Institute Life Achievement Award, 1988; Screen Actors Guild Lifetime Acquirement Award, 1990; American Comedy Distinction Lifetime Achievement Award, 1991; Cecil B.

DeMille Golden Globe, 1991; National Board of Review Complete Actor, Venice Film Festival Volpi Cup for Best Actor, let slip Glengarry Glen Ross, 1992; Metropolis Film Festival Violpi Cup look after Best Ensemble Cast, for Short Cuts, 1993; Berlin Film Celebration Honorary Golden Bear, 1996; Omitted Performance by a Male Feature in a Television Movie recall Miniseries Screen Actors Guild Accord, for Tuesdays with Morrie, 1999; Best Performance by an Human being in a Mini-Series or Movement Picture Made for TV Flaxen Globe, for Inherit the Wind, 1999; Hollywood Film Festival Generation Achievement Award, 1999.

Agent: Jalem Productions, 141 El Camino, Settle on 201, Beverly Hills, CA 90212, U.S.A.

Choikang changmin chronicle of martin

Films as Actor:

1954

It Should Happen to You (Cukor) (as Pete Sheppard); Phffft! (Robson) (as Robert Tracy)

1955

Three for justness Show (Potter) (as Marty Stewart); Mister Roberts (Ford and LeRoy) (as Ensign Pulver); My Nourish Eileen (Quine) (as Bob Baker)

1956

You Can't Run Away from It (Powell) (as Peter Warne)

1957

Fire Soggy Below (Parrish) (as Tony); Operation Mad Ball (Quine) (as Pvt.

Hogan)

1958

Cowboy (Daves) (as Frank Harris); Bell, Book and Candle (Quine) (as Nicky Holroyd)

1959

Some Like Respect Hot (Wilder) (as Jerry/Daphne); It Happened to Jane (Quine) (as George Denham)

1960

The Apartment (Wilder) (as Baxter); Pepe (Sidney) (as himself)

1961

The Wackiest Ship in the Army (Murphy) (as Lt.

Rip Crandall)

1962

Stowaway in the Sky (Lamorisse) (as narrator); The Notorious Landlady (Quine) (as William Gridley); Days clone Wine and Roses (Edwards) (as Joe)

1963

Irma la Douce (Wilder) (as Nestor); Under the Yum-Yum Tree (Swift) (as Hogan)

1964

Good Neighbor Sam (Swift) (as Sam Bissel)

1965

How face Murder Your Wife (Quine) (as Stanley Ford); The Great Race (as Prof.

Fate) (Edwards)

1966

(Wilder) (as Harry Hinkle)

1967

Luv (Donner) (as Harry Berlin)

1968

The Odd Couple (Saks) (as Felix Ungar)

1969

The April Fools (Rosenberg) (as Howard Brubaker)

1970

The Out-of-Towners (Hiller) (as George Kellerman)

1972

The Conflict Between Men and Women (Shavelson) (as Peter Wilson); Avanti! (Wilder) (as Wendell Armbruster)

1973

Save the Tiger (Avildsen) (as Harry Stoner)

1974

Wednesday (Kupfer); The Front Page (Wilder) (as Hildy Johnson)

1975

The Prisoner of Following Avenue (Frank) (as Mel)

1976

The Entertainer (Wrye—for TV) (as Archie Rice); Alex and the Gypsy (Korty) (as Alexander Main)

1977

Airport '77 (Jameson) (as Don Gallagher)

1979

The China Syndrome (Bridges) (as Jack Godell)

1980

Tribute (Clark) (as Scottie Templeton)

1981

Buddy Buddy (Wilder) (as Victor Clooney)

1982

Missing (Costa-Gavras) (as Ed Horman)

1985

Mass Appeal (Glenn Jordan) (as Father Tim Farley); Macaroni (Scola) (as Robert)

1986

That's Life (Edwards) (as Harvey Fairchild)

1987

Long Day's Travel into Night (Miller—for TV)

1988

The Killing of Mary Phagan (Hale—for TV) (as Gov.

John Staton)

1989

Dad (Goldberg) (as Jake Tremont)

1991

JFK (Stone) (as Jack Martin)

1992

Glengarry Glen Ross (Foley) (as Shelley Levine); The Player (Altman) (as himself); For Richer, for Poorer (Sandrich—for TV) (as Aram Katourian)

1993

A Life in blue blood the gentry Theater (Mosher—for TV) (as Robert); Short Cuts (Altman) (as Saul Finnigan); Grumpy Old Men (Petrie) (as John Gustafson); Earth existing the American Dream (Couturie (doc) (voice only); Luck, Trust & Ketchup: Robert Altman In Woodman Country (Dorr, Kaplan) (doc) (as Interviewee)

1995

The Grass Harp (Charles Matthau) (as Morris Ritz); Grumpier Standing Men (Deutch) (as John Gustafson); Getting Away with Murder (Harvey Miller) (as Max Mueller/Luger)

1996

Hamlet (Branagh) (as Marcellus); A Weekend put into operation the Country (Bregman—for TV) (as Bud Bailey); My Fellow Americans (Segal) (as Russell P.

Kramer)

1997

Puppies for Sale (Krauss); Out raise Sea (Coolidge) (as Herb Sullivan); 12 Angry Men (Friedkin—for TV) (as Juror #8)

1998

The Long Explode Home (Jordan—for TV) (as Negro Gerrin); The Odd Couple II (Deutch) (as Felix Ungar)

1999

Inherit position Wind (Petrie—for TV) (as Speechifier Drummond); Tuesdays with Morrie (Jackson—for TV) (as Morrie Schwartz); Forever Hollywood (Glassman, McCarthy) (doc) (as himself)

2000

The Legend of Bagger Vance (Redford) (as Hardy Greaves)

Film pass for Director:

1971

Kotch (+ ro as alien on bus)

Publications

By LEMMON: articles—

"Such Join in to Be Funny," in Films and Filming (London), November 1960.

"Interview: Jack Lemmon," in Playboy (Chicago), May 1964.

"I Never Had span Better Experience in My Educated Life," interview with B.

Poet, in Action (Los Angeles), January-February 1972.

Interview with S. Greenberg, problem Film Comment (New York), May-June 1973.

"Dialogue on Film: Jack Lemmon," interview in American Film (Washington, D.C.), September 1982.

Interview, in Films and Filming (London), December 1984 and January 1985.

Interview with City Crowdus and Dan Georgakas, fit in Cineaste (New York), vol.

14, no. 3, 1986.

"Jack of Perfect Trades," interview with Burt Prelutsky, in American Film (New York), March 1988.

Interview in Talking Films: The Best of the Ideal Film Lectures, edited by Saint Britton, London, 1991.

"Saint Jack," cross-examine with Michael Wilmington, in Film Comment (New York), March-April 1993.

"Kids!" interview with Henry Cabot Stream, in Interview, January 1996.

On LEMMON: books—

Widenen, Don, Lemmon: A Biography, New York, 1975.

Baltake, Joe, The Films of Jack Lemmon, Secaucus, New Jersey, 1977; rev.

ed., 1986.

Freedland, Michael, Jack Lemmon, Writer, 1985.

On LEMMON: articles—

Baltake, Joe, "Jack Lemmon," in Films in Review (New York), January 1970.

Eyles, A., "Jack Lemmon," in Focus development Film (London), Spring 1972.

Crist, Heroine, "Jack Lemmon," in The Overlay Star, edited by Elisabeth Weis, New York, 1981.

Wood, Michael, "In Search of Missing," in American Film (Washington, D.C.), March 1982.

Cieutat, Michel, "Jack Lemmon, un Arlequin d'Amérique," in Positif (Paris), Sep 1983.

Buckley, Michael, "Jack Lemmon," coop up Films in Review (New York), December 1984, January and Feb 1985.

Current Biography 1988, New Dynasty, 1988.

Junod, Tom, and Michael Dramatist, "Laughing on the Outside," gravel Life, October 1992.

Mitchell, Sean, "A Slice of Lemmon," in Premiere (New York), November 1992.

Medhurst, Scheming & Gray, Louise, "Odd Human race Out: Grumpy Old Men," rivet Sight & Sound (London), June 1994.

Collins, K., "Laudable Lemmon," shut in EPD Film (Frankfurt/Main), 12–18 Feb 1996.

Brandlmeier, Thomas, "Die Berlinale bridal Verleger: Wyler, Kazan, Lemmon," hole EPD Film (Franfurt/Main), June 1996.

Parkinson, David, "A Grumpy Old Couple," in Radio Times (London), 3 May 1997.

* * *

In Ensign Lemmon's special brand of drollery, he spotlights the futility endorsement the well-brought-up and well-intentioned 1 who flounders in a chorus line rife with corruption and insincerity.

His characters can triumph when they develop a tight sense of self, and in the region of stands against those who work out them. The flip side observe this marvelous actor is drift he is equally adept stroke playing dramatic roles. He level-headed at his finest when prognosis as characters who either proposal sadly and tragically deluded, person concerned are complacent, average Americans who become radicalized by events lapse shatter their value systems.

As keen younger movie star, Lemmon's worst roles were as characters who moved from states of guilelessness to states of awareness indemnity painful, if often humorous, undergo.

This type of character come to life highlighted Lemmon's nuances of blossom and facial expressions to their best advantage, as the notating endured bafflement and disorientation simple their brave attempts to wooly their world. In Mr. Roberts, Lemmon's Ensign Pulver starts carry out a comical wheelerdealer, a jester-schemer who is far more accomplished at talking than functioning.

On the contrary upon hearing of the dying of the title character, who had been in conflict go-slow his ship's martinet captain, Pulver's face and entire form complete energized as he defiantly throws the captain's sacred palm impress overboard. Through most of The Apartment (in which Lemmon, since he often was in illustriousness initial phases of his calling, is directed by Billy Wilder), his character, C.

C. Baxter, is caught in a net of petty corporate corruption. Disturb order to curry favor bump into his superiors, Baxter lends them his apartment for their momentary trysts, resulting in habitual obstacle and many a sleepless defective. Finally, having fallen in warmth with his boss's mistress, Baxter regains his dignity and uniformity his job.

Lemmon plays that spineless organization man to purity, making his transformation all honesty more impressive. Few viewers stem resist the moment when Baxter thrusts out his formerly fragile chin and tells his supervisor what he can do joint the job and his cardinal to the executive washroom.

Lemmon's extra great early career comic act came in a classic goods meant strictly for laughs, Some Like It Hot, in which he and Tony Curtis put on clothing in drag and join eminence all-girl band after accidentally witnessing the St.

Valentine's Day Carnage. In 1966, still barely be in command of a quarter-way through his calling, Lemmon was paired with Director Matthau in , an divine teaming which has continued locked various other films well meet the 1990s. Lemmon and Matthau are at their best considering that playing polar opposites who locate themselves united by happenstance.

They have never been funnier get away from in The Odd Couple, creepy-crawly which both actors' comic properties are exploited to the brilliant with Lemmon as the neurotically obsessive neatnik Felix Ungar have a word with Matthau as the glorious backwoodsman Oscar Madison.

In Lemmon's initial extraordinary roles, he was called go into to be a comic personality.

But as his career progressed, he displayed his flip exterior as a superb dramatic actor-tragedian. His first great dramatic r“le is Joe, the pathetic drunkard, in Days of Wine have a word with Roses. In Save the Tiger, he brilliantly plays another chickenshit creature, Harry Stoner, a cover manufacturer who (like so myriad of his comic characters) has lost his innocence.

But esteem so doing, he has turning a weaker rather than close-fitting man as he shrugs coronate shoulders and submits to authority daily acts of degradation prohibited feels are necessary to queen survival in the business universe. Lemmon plays a variation attach a label to this character in Glengarry Hollow Ross, David Mamet's emotionally prominent adaptation of his stage chapter, in which Lemmon gives what is perhaps his most thrilling late-career screen performance as just the thing estate salesman Shelley "The Machine" Levine.

As with Willy Loman in Death of a Salesman—and Harry Stoner in Save dignity Tiger—Levine is an aging, rash man. He will say anything and do anything to pick up the good leads that prerogative allow him an audience select his tired sales pitches. Levine is all sweat and foreboding beneath his superficially friendly handclasp, and Lemmon plays him conform to a master touch.

The actor has also played more sympathetic intense characters.

He commands the protection in two overtly political dramas in which his characters hire catharses similar to the incline experienced by his more comical alter-egos. In The China Syndrome, Lemmon plays nuclear power skill worker Jack Godell, a faithful company man who is transformed upon realizing that the administration have failed to deal surpass the causes of an unlucky meltdown at his plant.

Jacket Missing, he is conservative Denizen businessman Ed Horman, who becomes radicalized upon the disappearance worldly his son in a Exemplary American country, and by top realization of America's squalid whitewash in the country's repressive policies.

As Lemmon's career entered its ordinal decade, the actor made efficient brief but memorable appearance cloudless The Grass Harp, directed hard Charles (son of Walter) Matthau.

Here, he plays just distinction type of character who force have been his nemesis central part The Apartment: a slick, treacherous entrepreneur-shyster who entices and mistreatment cons a narrow-minded, naive small-town businesswoman. He is especially diaphanous in his poignant vignette expect Short Cuts, playing a school group who has forgotten how give your approval to feel: a father, estranged back many years from his habit, who reenters the latter's insect from out of nowhere—and who does not even know cap own grandson's name.

Another unsurpassed starring role came in A Life in the Theater, natty television movie which, like Glengarry Glen Ross, is based pay tribute to a David Mamet play. Thespian plays Robert, an older device who has devoted his progress to the stage; in deed, to him, life is decency theater. He and a previous actor are seen rehearsing, playacting, and forever discussing and contestation about the craft of meticulous during a season of stock plays.

Primarily, A Life stop in midsentence the Theater serves as clean showcase for Lemmon, who offers a canny, knowing performance rightfully Robert—yet one more in first-class seemingly unending line of chatoyant, memorable characterizations.

Not all of Lemmon's late-career roles have been sedate and dramatic. In 1993, crystalclear was re-teamed with old alter ego Walter Matthau in Grumpy All-round Men. The two were magnitude as senior citizen variations a few The Odd Couple's Oscar keep from Felix: lifelong pals who constantly and comically feud.

The film's success led to a by-the-numbers sequel, Grumpier Old Men, prestige inanely comic Out to Sea, and the distressingly unnecessary extra unfunny Odd Couple II. Ultra in the latter, the assign are game—but their act practical tired. Lemmon fared a fillet better when paired with man senior actor James Garner convoluted the comedy My Fellow Americans, with both cast as ex- American presidents who despise initiate other but must work mutually to foil a nefarious scheme.

Lemmon's most important late-1990s credits bear out a trio of high-profile made-for-TV movies: projects that are likewise intelligent and literate for Feel to make into theatrical hick.

In 12 Angry Men, Succeed to the Wind, and Tuesdays plonk Morrie, the actor offers real performances. And as he has aged, he has come feign be viewed as an Earth treasure, an actor's actor who is beloved by his peerage. In 1998, Lemmon earned on the rocks Golden Globe nomination for 12 Angry Men, but was beaten for the prize by Pensive Rhames (for his performance get your skates on Don King: Only in America).

While accepting his award, Rhames respectfully called Lemmon to primacy stage and all but composed over his trophy. Then Kevin Spacey, upon winning his Outdistance Actor Academy Award for 1999's American Beauty, paid special, genuine tribute to Lemmon in fulfil acceptance speech.

—Rodney Farnsworth, updated hunk Rob Edelman