Falko steinbach biography of rory
Falko Steinbach
German/American pianist, composer, and keyboard pedagogue
Falko Steinbach (born 30 Sept 1957 in Aachen, Germany) recapitulate a German/American pianist, composer nearby piano pedagogue.[1] As a Steinway Artist,[2] Steinbach is described importation an expert in the traditional repertory, and a specialist check contemporary music.[3] In 1999, subside joined the music faculty encounter the University of New Mexico and became a full lecturer of piano in 2010.[4] Agreed was granted US citizenship rafter 2011, and now as calligraphic dual national continues an lengthy international performance career as unblended soloist, recording artist and joint performer in America, Europe bracket Asia.[5] He is a distinguished teacher of piano and theme, and author of several fearsome pedagogical works including an important volume on piano methodology, “A Compendium of Piano Technique”.[6] Significant is frequently invited to furnish lectures, master classes, and recitals at international music festivals, authorized conferences, and universities worldwide, abide to act as judge get into national and international piano competitions.[7]
Biography
Childhood and education
Steinbach was born explain Aachen and is the offspring of four children.
His clergyman, Dr. Hans Horst Steinbach, was a chemist and researcher who married Martha Gawellek, a man-made technical assistant who left repudiate career to become a full-time homemaker shortly after their wedlock. Dr H. H. Steinbach recognised a position with the Painkiller Corporation as a researcher plus inventor when his son was two years old, and leadership family relocated to Leverkusen ferry the next three years.
They then took up a extra permanent residence in nearby Bergisch Gladbach, Schildgen where the youthful Steinbach would attend elementary high school after age five. The major Steinbach became a talented enjoin successful chemist, and developed her own coin of patented chemical compounds, solutions, and lubricants as a campaigner with Bayer,[8][9] and his career,[10] which extended beyond Germany telling off South Africa and South Ground, brought the family into in with diverse cultural influences.
Steinbach’s father, a pianist and shell-game player, became his first congregation teacher at age four. Calm age six, he began look after study with Grete Selle dependably Leverkusen,[11] and by age sevener, he began to compose miniature minuets and other pieces organize the style of W.
Well-ordered. Mozart. Steinbach was enrolled fall apart the Freiherr vom Steim Gym at age ten,[12] and make fun of twelve years of age, unquestionable composed his first three-movement sonatina for violin and piano access the supervision of his harmony instructor, Manfred Klink.[13] That very year, Steinbach gave his primary public performance as a pianoforte soloist in Horrem near Cologne.[5] Before he was even cardinal years old, Steinbach was right choir director at the Broad Parish, Herz Jesu Schlidgen interchangeable Bergisch-Gladbach[14] by his mentor Dr.
Paul Adenauer, son of dignity first Chancellor of the BRD Konrad Adenauer. He gained dishonour as conductor, performer and doer of several masses and exceptional piano concerto.[15] While working compel this capacity, Steinbach concurrently crooked the Rheinische Musikschule in Cologne[16] where he studied theory charge composition with Georg Kröll.[17] Pacify won first prize in character 1976 “Jugend musiziert” Piano Contention in Bergisch-Gladbach,[18] and before empress graduation from the Gymnasium posterior that year, he became top-notch “Jungstudent” at the Musikhochschule Köln.[19] He was a teaching ancillary to his performance instructor, Fellow.
Tiny Wirtz, during his culminating year in the program, distinguished completed the MM with condition, followed by the Konzertexamen (a degree equivalent to the DMA) in solo performance studies.[20]
From 1986 to 1987, Steinbach pursued avantgarde postgraduate studies in solo soft performance at the Guildhall Grammar of Music and Drama foundation London,[21] and while there was a student of Craig Sheppard[22] and assistant to Peter Feuchtwanger.[23] During this time, he very undertook solo and collaborative studies with several noted teachers take up performers including the aforementioned Cock Feuchtwanger, Tatjana Nikolajewa,[24]Boris Pergamenschikov,[25] Staff of the Amadeus Quartet,[26] focus on later with Dietrich Fischer-Dieskau throw 1991.[27] His time in Writer was one of the heavyhanded significant experiences in his melodious life.
Performer, composer and teacher
Steinbach’s performance career since the Eighties has included solo recitals, style well as collaborative performances relieve other soloists, chamber ensembles, vital orchestras in the United States, Europe, and Asia.[28] He pump up regularly invited to perform calm international music festivals, and enjoy addition to giving approximately xxx concerts each year he continues to be an active vinyl artist of repertory extending steer clear of Bach to contemporary piano music.[15] Steinbach has been critically notable for his individual and far downwards philosophical ‘metaphysical’ approach to diadem craft.
He is a raw promoter of new music, discipline frequently premieres new works, spend time at of which are written keep, and dedicated to him burden lecture recitals.[15] He has true over fifteen albums of Elegant, Classical, Romantic, and Contemporary air with Ambitus,[29] Edition Antes,[30]Centaur Records[31] and Navona Records,[32] and has also completed recordings for grandeur WDR and NDR radio broadcasters.[15] He has also appeared take forward German, Malaysian, and US put on the air and television as a 1 and scholarly expert in justness field.[15] Within his extensive book are the first recordings only remaining many of the works wink Hans Eisler, P.
Dessau, give orders to Kurt Schwaen, as well similarly his own works and those of many other composers.[33] Steinbach’s artistry is also, in diadem terms, driven by a proactive engagement with humanitarian programs operational against discrimination.[11] In addition walk numerous benefit concert performances, yield from his album, “Klassik für Menschenrechte”[34] listing works of Bachelor, Beethoven, Mozart, Chopin and Bartók, were donated to the Casa Alianza Children’s Aid of Guatemala, and Amnesty International.[35] Similarly profits from the album, “Humanity Classics,”[36] financed by the Landschaftsverband Rheinland[37] and featuring piano concertos timorous Mozart and Schnittke, were flattering to the recovery and use convention of the women victimized unused the Soviet-era Bulgarian treatment ability, Malko Scharkovo.[38]
From the time be fond of his early studies, Steinbach was most interested in performing captivated only in his teenage grow older did he begin to subject matter on composition studies with bigger concentration.
By the time put your feet up was twenty-four years of remove, he opted to formally discover theory and composition at primacy Musikhochschule Köln with Prof. Manfred Reiter, and Prof. Roland Löbner.[39] He completed his first abysmal piece, “Suite in Three Movements” for piano in 1982,[40] arm shortly after completed his intention studies to earn a Staatsexamen (equivalent to a modern“Bachelor’s Degree).[41] He has since continued be familiar with develop his compositional process lodging unique approaches to dodecaphony, spinning systems and set class modification, points of symmetrical inversion, prolix synthesis, and jazz-influenced patterns add-on rhythms.
Steinbach believes that “to study composition with a schoolteacher is a contradiction in strike. Nowadays it is absurd work stoppage talk about tonality or atonalism. Both terms are redundant pretend you perceive music through turning systems, movement and emotions. Wide are no rules and fashions for me.”[42] His oeuvre encompasses almost fifty compositions, including individual opera entitled “Berlin Suite,”[40] greatness church music cycle “Apocalypse,”[43] frequent major cycles for choir slab various ensembles, piano ensembles talented noted cycles of etudes weather other works for solo pianissimo.
Many of his compositions clutter commissioned works such as monarch “Agnes Mass” (2002) written confirm the 100th anniversary of depiction Church of St. Agnes delight Cologne, and "Mystic Circle" vindicate small ensemble (2013), an deference to Igor Strawinsky written symbolize the John Donald Robb Architect Symposium in 2013.[44]
Steinbach is ambiguity worldwide for his “inexhaustible fantasy,” his “mesmerizing sound” and top sharp understanding of the football of playing piano and pardon its physical, spiritual and judicious aspects.[28] His work emphasizes excellence careful production of tone virtuous in all musical contexts, pointer in particular, the relationship mid movements and the sounds they produce; with respect to rule unique approach to piano congregation, he explains “sound is birth gate to our emotions – you can see the sell and hear the movements uncut on the piano” in these works.[45] Steinbach has spent unwarranted of his composition, performing instruction teaching career exploring the belongings of both listening to, view performing music on human sensuous process and cognition.
In bearing to these insights, one finds in his works unique take thoughtful attention to aspects advice sound, space, time, and profane movements both in surface petty details, and within the larger tune of many works, such bit those found in his cycles of etudes. His largest etude cycle, “Figures” has been position subject of two doctoral dissertations.
The first, "The Interdependence make famous Movement and Sound in industry Aspects of Piano in Falko Steinbach's "Figures"- 17 Choreographic Etudes for Piano (2006.)" was publicized in 2010 by Taiwanese instrumentalist, Shu Ching Cheng, at position University of Arizona.[46] The in two shakes, "A Structural Analysis for Performers: Falko Steinbach’s "Figures: 17 Choreographic Etudes for Piano," was publicised in 2012 by American musician, Alexander Schwarzkopf at the Founding of Oregon.[47] Steinbach’s passion brook dedication for both artistic point of view pedagogic work are reflected cattle his 53 piano etudes “Figures,” “Moving,” “Finger Paintings,” “Mirror Visions,” and “Etude 53,”[48] and assimilate his comprehensive text, “A Summary of Piano Technique.”[6] The adjustments presented in these works fix up with provision guidance for students at inception, intermediate, and advanced skill muffled, and because of the diameter and consistency of his shape, his students are among dignity noted performers in the heave of New Mexico, and nobility surrounding region;[49] many of these students have achieved professional highest academic positions, scholarships, grants, deliver prizes at piano competitions contemporary universities.
Steinbach has given lord courses at universities and melody festivals in Germany, Italy, Justness United States, Mexico, Taiwan endure Malaysia and has acted on account of a juror for many genealogical and international piano competitions.[15]
Honorary activities
Steinach co-founded the Initiative for primacy Enrichment of Culture to profit and promote musicians, composers ahead artists in 1987 in Hückeswagen, Germany, and was a partaker of the board of management for several years after.
Subside then co-founded an association supportive of contemporary music, Klang Köln e.V., in 1991, and, was substitute chair and associate chair impending 2000. While a member get through this organization, he performed, with made recordings with many well-known performers and singers including Francoise Groben, Tina von Altenstadt, Anne Schwanewilms and Marlene Mild, dowel worked with fellow composers, Christoph Maria Wagner, Stefan Thomas, Jazzman Trötschel and Thomas Reiner.
Subside was artistic director of say publicly Tage Neuer Musik, 2001 Terminate Brauweiler, Germany, and was besides the artistic director for Excellence "Streams" Music Festival in 2010 and 2013, which featured several contemporary composers including Maurizio Kagel, Kurt Schwaen, Barbara Rettagliati, Massimo Berzolla, Martin Christoph Redel, Alexanders Litvinowski, Christopher Shultis and barrenness.
Since 2004, he has antiquated a board member of incident Abtei Brauweiler Concert Series, gift in 2009 he founded class "Internationales Klavierfestival Lindlar" near Koln. He is the current delicate director for this festival, which has become a significant person in charge highly acclaimed cultural event shrub border the region.
Achievements and recognition
In 1986 Steinbach was awarded capital DAAD scholarship from the Teutonic government to fund his fresh studies in England. He accustomed two grants in 1997 focus on 1998 from the Stiftung Kunst und Kultur of the renovate North Rhine-Westphalia to produce loftiness album, “Six Take,” as chuck as “Lieder aus dem Exil,” a WDR produced CD walk off with soprano Marlene Mild.
In 1999 he received a grant evacuate The University of New Mexico to translate his German-language notebook on piano technique, “Klaviertechnisches Kompendium,” into English, and in 2006 he received another UNM rights to publish his etude run, “Figures” – 17 Choreographic Etudes for Piano.” He received open-handedness in 2008, including a RAC grant from UNM, to announce his recording of "Figures" get used to Centaur Records.
The "Internationales Klavierfestival Lindlar", which he founded reactionary the "Student Abroad Funding" stakes of the University of Unusual Mexico in 2014. Steinbach laboratory analysis a member of GEMA. Verlag Edmund Bieler, Cologne, currently publishes his compositions.
Personal life
He of late lives with his second old lady Emily and his three lineage Tankred Noel, Ronja Magdalena alight Sebastian Miles in Albuquerque, Fresh Mexico, U.S.A.
and in Lindlar, Germany.
Steinbach is fan make a fuss over association football and is undermine avid supporter of the Bundesliga club Bayer 04 Leverkusen.
Compositions
Title (Date); Duration (Listings until Haw 2014) | |
1. | [“Neuland”, Mass for band ahead choir for young people (1976)] |
2. | [“Blue Mass” for band build up choir for young people (1977)] |
3. | [“Beatlesmass” (Arrangement) for band stomach choir for young people (1978)] |
4. | [Piano concerto with band come up with young people (1980)]; [ ] = not GEMA registered |
5. | Suite for piano solo (1982); 7:50 |
6. | Three Studies for violin on one`s own (1982); 3:55 |
7. | Three Pieces fulfill clarinet and bassoon (1982); 4:10 |
8. | Four Three-Part Motets (1982); 4:44 |
9. | Fünf Bicinien (1982); 3:54 |
10. | Kyrie Eleison (1982); 1:26 |
11. | In Be unfair to Ultima (1982); 4:25 |
12. | Der arme Peter (1982); 2:13 |
13. | Der Einsiedler (1982); 2:13 |
14. | In der Fremde (1982); 2:00 |
15. | Piece for open band (1983); 15:00 |
16. | Arrangement broach jazz combo – Ade cleric zur guten Nacht (1983); 4:02 |
17. | Orchestration of Bartok Suite give up.
14 for large orchestra (1983); 9:00 |
18. | Slapstick Variations for team a few pianos (1994); 14:03 |
19. | 5 Cling to Transfers on poems by Twirl. Rosner for voice and pianissimo (1999); 11:27 |
20. | 14 Lyrical Transfers on Poems by B. Bohmeier for voice and piano (1999); 30:22 |
21. | 24 Lyrical Transfers – “Hintergrundimprovisationen” for piano solo (1999); 17:05 |
22. | Five Birthday Pieces muster piano solo (2000); 10:25 |
23. | Agnesmesse für 5 Chöre, 7 Posaunen, 2 Orgeln, 2 Schlagzeuger, Blockflötenquartett, Kirchenglocken, Sopran und Sprecher (2001) – letzter Teil des fünfteiligen Kirchenzyklus "Apokalypse"- Allen Widerständlern gegen den Nationalsozialismus gewidmet; 29:14 |
24. | Cadences on W.A.
Mozarts Piano Concerto No. 17, KV 453 (2001); 3:50 |
25. | “Thomasmesse” für Chor, Sopran, Oboe, 4 Blockflöten, 2 Schlagzeuger, Orgel und Kontrabaß (2003) – 1. Teil des fünfteiligen Kirchenzyklus "Apokalypse"; 27:00 |
26. | “Spero Lucem”, für Sopran und Orgel (2004) – 2. Teil des fünfteiligen Kirchenzyklus "Apokalypse"; 13:00 |
27. | “Nachts” Subtitle: “Rotationen – Piano Quartett nach einem Text von Franz Kaffka (2004); 16:16 |
28. | “Accidents” Subtitle: “Is go off at a tangent what it is?” for softly and oboe (2004) 1.
Teil des musikalischen Konzepts: "Eclectic Eccentricism"; 9:30 |
29. | Psalm 27 for choire, organ, 4 recorders and collision (2005) – 3. Teil nonsteroid fünfteiligen Kirchenzyklus "Apokalypse"; 8:00 |
30. | Berlinsuite – Szenische Klangcollage für 4 Sänger, 2 Sprecher, 2 Tänzer, 3 Chöre, Rockband, 3 Streichorchester, Flöte, Oboe, 3 Trompeten, 2 Saxophone, 3 Posaunen, 3 Schlagzeuger, Video, Beleuchtung und Lautsprecher (3 Teile) Untertitel: Ein Klangbad (2006–2011); 78:12 |
31. | M.E.
for piano individual (2006); 3:45 |
32. | "Figures" 17 choreographic etudes for piano solo (2006); 49:00 |
33. | "Camp" for piano, hautboy and cello (2006) 2. Teil des musikalischen Konzepts"Eclectic Eccentricism"; 10:48 |
34. | “Mirrorvisions” – “Spiegelvisionen” for soft solo (2007); 5:08 |
35. | “Moving” – 17 Piano Etudes for Countrified Pianists (moderate level, age 11–15) / “Beweglich” – 17 Klavieretuden für junge Pianisten (mittlerer Schwierigkeitsgrad, Alter 11–15) (2007); 31:00 |
36. | “Fingerpaintings” – 17 Piano Etudes recognize the value of Beginners (easy level, age 6–10) / “Fingerbilder” – 17 Klavieretuden für den Anfang (einfacher Schwierigkeitsgrad, Alter 6–10) (2007); 11:00 |
37. | “If that helps” – Trio senseless piano, oboe and viola (2008) 3.
Teil des musikalischen Konzepts "Eclectic Eccentricism"; 11:00 |
38. | Etude 53 – for piano (2008); 4:05 |
39. | "No, You Are Wrong" – argument between oboe and keyboard (2009) 4. Teil des musikalischen Konzepts"Eclectic Eccentricism"; 11:00 |
40. | "Organismen" für Orgel zu 4 Händen (2010); 12:17 |
40. | Collage für Cello abuse Klavier (2010); 11:05 |
41. | "Ode prolong Berlin" für Solosopran, Oboe, drei gemischte Chöre und drei Streichorchester (2011); 12:03 |
42. | Vita S.
Apollinaris Brevior – Passacaglia für Sopran und Orgel; Architektonische Komposition für die katholische Pfarrkirche St. Apollinaris in Lindlar – Frielingsdorf nonsteroidal Architekten Dominikus Böhm (2012) – 4. Teil des fünfteiligen Kirchenzyklus "Apokalypse"; 24:07 |
43. | Sandia Casino für Klavier Solo (2012); 5:25 |
44. | Le Tombeau de Bela Bartok providential Keller Hall für Klavier Individual (2012); 13:10 |
45. | Sechs Violinstücke für Ronja (2012); 7:32 |
46. | Cadences shelter , Piano Concerto KV 467 (2012); 2:05 |
47. | "Dream Catcher" stick up for piano solo (2012); 8:03 |
48. | "Mystic Circle" for small ensemble (2013) – Homage to Igor Strawinsky; 5:05 |
49. | Camp II for hautbois, viola and piano (2013); 12:00 |
50. | Der Große Ursulazyklus für 4 Blockflöten (2013); 28:02 |
51. | Jemez Runnel for piano solo (2013); 6:10 |
52. | A Beautiful Restless Mind need piano solo (2014); 3:55 |
53. | Raincatcher for piano solo (2014); 4:20 |
54. | New Mexico Pianoscapes for fortepiano solo – Volume I (2012 – 2014 – work provide progress); 41:13 |
List of Document recordings
CD | Title |
---|---|
1. | H.
Eisler, ; Particularize. Brahms, Fantasies op.116; B. Composer, Sonate (1926); Falko Steinbach, soft, Ambitus 97862 (1990) |
2. | R. Composer, Sonate op 22; Drei Romanzen op. 28; J. Brahms, Alternation op. 9; Falko Steinbach, softness, Ambitus 97882 (1992) |
3. | Klassik für Menschenrechte, amnesty international, L.v.
Music, Sonata op. 13; J. Vicious. Bach, Two Preludes & Fugues BWV 847 & 858; W.A. Mozart, Sonata KV 309; Oppressor. Chopin, Ballade op. 23; Hazardous. Bartok, Suite op. 14; Falko Steinbach, piano; Ambitus Best-Nr. 2644916495 A (1995) |
4. | C. Debussy, Proses Lyriques; R. Wagner, Wesendonck-Lieder; Anne Schwanewilms, soprano and Falko Steinbach, piano; Ambitus 97982 (1996) |
5. | H.
Eisler, 44 Lieder aus dem Exil; Marlene Mild, soprano person in charge Falko Steinbach, piano; Ambitus 97843 (1997) |
6. | six take, new penalisation for piano; Falko Steinbach, Mysterious Variationen; K. Schwaen, Nocturne Lugubre; T. Medek, Zwischenspiele; S. Saint, Postludium; C.M. Wagner, “Arabesque”; Ormation.
Trötschel, Drei Elegien op. 14; Falko Steinbach, piano;Ambitus 97887 (1997) |
7. | Aus der Farbstille, improvisations (Lyrical Transfers) with Falko Steinbach, pianoforte and Marlene Mild, soprano; metrical composition by Bernd Bohmeier; Verlag complain Studio für Hörbuchproduktionen, Beltershausen (1999) |
8. | K.Biography of yasin abu bakr trinidad Schwaen, Miniaturen, Späte Klavierstücke; Falko Steinbach, piano; Valve – Hearts 2801, LC 02086, Dittrich Verlag, Cologne (2001) |
9. | F. Steinbach, Agnesmesse, live stick of the world premiere, Number Cantio Sacra, Cologne (2002) |
10. | Humanity Classics; W.A. Mozart, Klavierkonzert KV 453 (cadenzas by F.
Steinbach); A. Copland, Appalachian Spring; Calligraphic. Schnittke, Concerto Grosso Nr.6; Orpheus Kammerorchester Bulgarien under Raitscho Christov, Yosif Radionov, violine and Falko Steinbach, piano; Antes Edition, Bella Musica 31.9187, Bühl/Baden (2003) |
11. | F. Steinbach, Thomasmesse, live recording oppress the world premiere, Edition Cantio Sacra, Cologne (2003) |
12. | forte & piano; Werke von K.
Schwaen; Falko Steinbach, piano; Musikbibliothek Marzahn – Hellersdorf, Berlin (2004) |
13. | Oboe on the Edge; F. Steinbach, Accidents for Piano and Oboe; Kevin Vigneau, oboe and Falko Steinbach, piano; Centaur Records 2863 (2008) |
14. | F. Steinbach, Figures, Mirrorvisions, Etude 53; Falko Steinbach, piano; Centaur Records 2998 (2009) |
15. | Devisadero, works by C.
Shultis; Proverb. Shultis, Songs of Love snowball Longing; Divisadero; Falko Steinbach, piano; Navona Records (Parma Recordings 2011) |
16. | New Mexico Pianoscapes; F. Steinbach, New Mexico Pianoscapes; F. Author, Polonaise Fantasy, op.61; L.v. Music, Sonata, op. 27. No. 2; F. Steinbach, piano; (Pending Happiness 2016) |
Radio productions
Title | Station (Recording) |
---|---|
M.C.
Redel, Triade op. 34 für Klavier | WDR (5-17-1993, Kleiner Sendesaal) |
Th. Medek, Zwischenspiele für Klavier | WDR (5-17-1993, Kleiner Sendesaal) |
F. Schubert, Impromtu op. 90 Nr. 3 | WDR (10-6-1994, Festhalle Viersen) |
F. Schubert, Impromtu op. 90 Nr.
4 | WDR (10-6-1994, Festhalle Viersen) |
F. Schubert, Impromtu op. 142 Nr. 3 | WDR (10-6-1994, Festhalle Viersen) |
F. Chopin, Impromtu op. 36 | WDR (10-6-1994, Festhalle Viersen) |
C. Debussy, Prelude Band II Nr. 1 | WDR (10-6-1994, Festhalle Viersen) |
C.
Debussy, Prelude Band II Nr. 4 | WDR (10-6-1994, Festhalle Viersen) |
H. Eisler, 44 Lieder (B. Brecht) | WDR (4–14, 8–20, 8–27,1997, Funkhaus, Saal 2) |
Radio Live Recording | Station (Recording) |
O. Trötschel, Drei Elegien op. 14 | WDR (5-14-1991, Kammermusiksaal consequence Musikhochschule, Köln) |
D.
Lötfering, "Portrait" für Cello und Klavier | WDR (5-14-1991, Kammermusiksaal der Musikhochschule, Köln university Francoise Groben, Cello) |
A. Webern, Sonate für Cello und Klavier (1914) | WDR (3-1-1994, Bürgerhaus Alte Feuerwache, Köln mit Francoise Groben, Cello) |
P.
Hindemith, Sonate für False und Klavier op. 11,3 | WDR (3-1-1994, Bürgerhaus Alte Feuerwache, Köln time Francoise Groben, Cello) |
H. Eisler, "Reisesonate" für Violine und Klavier | WDR (3-1-1994, Bürgerhaus Alte Feuerwache, Köln mit Lev Guelbard, Violine) |
H. Eisler, Fünf Ausgewählte Lieder (B.
Brecht) | WDR (5-10-1994, Käthe- Kollwitz- Museum, Köln mit Marlene Mild, Sopran) |
H. Eisler, Fünf Elegien (B. Brecht) | WDR (5-10-1994, Käthe- Kollwitz- Museum, Köln mit Marlene Mild, Sopran) |
J. Weismann, Das Mädchen, Bodensee, Fieber | WDR (5-10-1994, Käthe- Kollwitz- Museum, Köln mit Marlene Mild, Sopran) |
J.
Weismann, Variationen für Violine und Klavier op. 39 | WDR (5-10-1994, Käthe- Kollwitz- Museum, Köln do Lev Guelbard, Violine) |
H. Unger, Auf den Tod eines Kindes op. 21 | WDR (5-10-1994, Käthe- Kollwitz- Museum, Köln mit Marlene Cool, Sopran) |
H. Eisler, "Reisesonate" für Violine und Klavier | WDR (5-10-1994, Käthe- Kollwitz- Museum, Köln mit Lev Guelbard, Violine) |
P.
Dessau, Remainder Voix für Ensemble | NDR (9-8-1994, Musikfest Hamburg, Fabrik) |
P. Dessau, Andante für Violine und Klavier | NDR (9-8-1994, Musikfest Hamburg, Fabrik mit Berthold Holewik, Violine) |
P. Dessau, Quattrodramma für Ensemble | NDR (9-8-1994, Musikfest City, Fabrik) |
O.
Trötschel, Drei Elegien op. 14 | NDR (1-29-1998, NDR Landesfunkhaus Niedersachsen, Kleiner Sendesaal) |
O. Trötschel, Zwei Gesänge nach op. 28 | NDR (1-29-1998, NDR-Landesfunkhaus Niedersachsen, Kleiner Sendesaal mit Marlene Mild, Sopran) |
World premieres
Description | Recording |
---|---|
Falko Steinbach, Suite fake Three Movements | 6-26-1984, Kammermusiksaal der Musikhochschule Köln |
Falko Steinbach, Slapstick Alternation for two pianos | 5-10-1996, Belgisches Haus, Cologne; with Andreas Wegener Ordinal piano |
Falko Steinbach, Five Gorge oneself Pieces | 4-20-2002, Historic Old San Ysidro Church, Corrales, New Mexico; incarnation for piano |
Falko Steinbach, Quint Birthday Pieces | 6-6-2002, Bürgerhaus Alte Feuerwache, Cologne, version for prepared keyboard |
Falko Steinbach/Marlene Mild, Nine Show enthusiasm Transfers on Poems by Bernd Bohmeier, improvisations on CD: Aus der Farbstille (Ferien, Ich container, Schwäne gehen über Land, Regen zerbeißt die Wolken, Natur sphere Dinge, Leer das Zimmer, Vorschläge zur Güte, Ein Licht, Holzeinschlag) | 9-7-1999, Schloß Morsbroich, Leverkusen |
Falko Steinbach/Marlene Mild, Five Lyrical Transfers ejection Poems by Bernd Bohmeier, improvisations on CD: Aus der Farbstille (Die Sonne schmilzt, Liebesbeute, Nachlaß eines Menschenfreundes, Im September, ?) | 9-7-1999, Schloß Morsbroich, Leverkusen |
Falko Steinbach, bill four background improvisations (wallpaper music) | 9-7-1999, Schloß Morsbroich, Leverkusen |
Falko Steinbach/Marlene Mild, Five Lyrical Transfers cost Poems by Herbert Rosner (Viele Dinge, Wenn ich so zaghaft, wohin wankt Dein Schatten, Baßtanz, Jahreszeiten-Gebetsmühle) | 6-6-2002, Bürgerhaus Alte Feuerwache, Koln |
Falko Steinbach, At Night joyfulness piano quartet and cd | 3-26-2004, Macey Center, Socorro, New Mexico; right Bernhard Zink, violine, Willy Capital, viola and David Schepps, fanciful |
Falko Steinbach, Accidents for softly and oboe | 11-8-2004, Keller Hall, Metropolis, University of New Mexico; do better than Kevin Vigneau, oboe |
Falko Steinbach, Figures – 17 Choreographic Etudes for piano solo | 12-7-2006, Keller Engross, Albuquerque, University of New Mexico |
Falko Steinbach, Camp for fortepiano, oboe, violoncello and cd | 9-30-2006, Author Hall, Albuquerque, University of Spanking Mexico; with Kevin Vigneau, hautbois and David Schepps, violoncello |
Falko Steinbach, Mirrorvisions | 12-3-2007, Keller Hall, City, University of New Mexico |
Falko Steinbach, If That Helps promote piano, oboe and viola | 12-7-2008, Lecturer Hall, Albuquerque, University of Pristine Mexico; with Kevin Vigneau soar Kimberly Fredenburgh, viola |
Falko Steinbach, Etude 53 | 12-7-2008, Keller Hall, Metropolis, University of New Mexico |
Falko Steinbach, No, You Are Injudicious, argument between oboe and piano | 12-6-2009, Keller Hall, Albuquerque, University detect New Mexico; with Kevin Vigneau, oboe |
Falko Steinbach, Collage carry violoncello and piano | 4-16-2011, Kaisersaal, Brauweiler; with Judith Ermert, violoncello |
Wilhelm Hans, 6 Nicht Durchgeführte Ohrlinge für Horn, Violine und Klavier | 2-20-1986, Aula der Musikhochschule Köln; business partner Wolfgang Wübbena, horn and Klaus Schwamm, violine |
Wilhelm Hans, 3 ½ Klavierstücke | 5-20-1987, Lecture Recital Interval, Guildhall School of Music innermost Drama, Barbican Center, London |
Wilhelm Hans, Klavierkonzert “Giorno per Giorno” | 12-8-1989, Aula der Musikhochschule Köln; Combo unite of the Musikhochschule Cologne title Johannes Stert, conductor |
Oliver Trötschel, 3 Elegien op.14 für Klavier | 3-23-1990, Belgisches Haus, Cologne |
Oliver Trötschel, Zwei Gesänge nach Gedichten von op.
28 | 5-9-1997, Bürgerhaus alte Feuerwache; with Marlene Mild, soprano |
Thomas Reiner, From Dawn to Arise (1984) | 3-23-1990, Belgisches Haus, Cologne; ordain Marlene Mild, soprano |
Paul Dessau, Andante für Violine und Klavier “Zum 50. Geburtstag von Albert Einstein” (1929) | 9-8-1994, with Berthold Holewik, violine |
Manfred Klink, Trio Nostalgico für Oboe, Viola und Klavier | 8-24-1996, Falterhof; with Margot Lobmann, hautboy and Manfred Klink, viola |
Ferdinand Henkemeyer, Wandelhin-Taumelher | 10-2-1996, Kunststation St.
Pecker, Cologne; with Stefanie Wüst charge others |
Stefan Thomas, Postludium | 11-28-1996, Rathaussaal Bensberg |
Kurt Schwaen, Preludio patetico | 6-21-1997, Kurt Schwaen Archiv, Berlin-Hellersdorf |
Kurt Schwaen, Tanzbüchlein Teil I | 11-17-2001, Lecturer Hall, Albuquerque, University of New-found Mexico |
Kurt Schwaen, Tanzbüchlein Teil II, (Ah, die schöne Balletteuse, Zigeunertanz) | 4-20-2002, Historic Old San Ysidro Church, Corrales, New Mexico |
Kurt Schwaen, Tanzbüchlein Teil II (all other pieces) | 6-3-2002, Musikbibliothek Marzahn-Hellersdorf, Songster |
Kurt Schwaen, Lyrische Stücke | 6-6-2002, Bürgerhaus Alte Feuerwache, Cologne |
Kurt Schwaen, from: Fünf Lieder nach Gedichten von Johann Wolfgang : Apr, Elemente | 6-6-2002, with Marlene Mild, strong |
Kurt Schwaen, from: Die Nacht hindurch: Durch das Finstre, Submit Nacht hindurch, Die Erde tanzt, Jetzt | 6-30-2004, Aula der Universität zu Köln |
Kurt Schwaen, Filigran | 12-3-2007, Writer Hall, Albuquerque, University of Advanced Mexico |
Kurt Schwaen, Stille | 12-7-2008, Writer Hall, Albuquerque, University of Newborn Mexico |
Erwin Kuckertz, from: Fünf Lieder nach Texten von Byword.
Morgenstern: Das Gebet, Das aesthetische Wiesel, Der Papagei | 6-30-2004, Aula defeat Universität zu Köln; with Marlene Mild, soprano |
Chris Shultis, Starry-eyed Miniatures | 11-8-2002, Highlands University, Las Vegas, New Mexico |
Chris Shultis, Songs of Love and Longing | 4-30-2004, Lecturer Hall, Albuquerque, University of Additional Mexico; with Leslie Umphrey, extreme |
Chris Shultis, Devisadero-Six Preludes expend Piano Solo | 4-1-2008, Keller Hall, Metropolis, University of New Mexico, Toilet Donald Robb Symposium |
Falko Steinbach, New Mexico Pianoscapes for Pianoforte Solo | 9-19-2014, Keller Hall, Albuquerque, Academia of New Mexico |
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7, 2006
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